Black Magic Design CINEURSAMUPRO46KG2
URSA Mini Pro 4.6K G2.
Next generation URSA Mini Pro!
With Super 35, 4.6K HDR image sensor, 15 stops of dynamicrange and high frame rateshooting up to 300 fps!
Key features:
- 4.6K Super 35 HDR CMOS Sensor
- 15 Stops of Dynamic Range at 3200 ISO
- 4.6K up to 120 fps, 300 fps at 1080p
- CinemaDNG and ProRes 444 & 422 Recording
- 12G-SDI Output, Timecode and REF Input
- Dual CFast 2.0 and SD Memory Card Slots
- 2 XLR Audio Inputs with Phantom Power
- USB-C Expansion Port for External Disks
- Interchangeable Lens Mount
- 2-/4-/6-Stop ND Filter, Magnesium Body
URSA Mini Pro 4.6K G2
Is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a
traditional broadcast camera!
The second generation URSA Mini Pro
Features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you
much higher frame rate shooting.
You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and
SD UHS‑II card recorders for capturing images at up to 300 frames per second!
Four-position ND-filter
The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no
exposure reduction.
Behind the display, two SD card slots have materialized beside the CFast 2.0 slots, enabling more affordable media
to be used for less intensive recording formats.
The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange-focal distance.
Super 35mm 4.6K sensor and CinemaDNG format
At the heart of the camera is Blackmagic Design's acclaimed Super 35mm 4.6K sensor block, known for its ability
to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops.
Like the URSA Mini, the URSA Mini Pro can record high resolution raw sensor data in the CinemaDNG format onto
CFast 2.0 memory cards at up to 60 fps.
The raw files preserve the full dynamic range and color tonality output from the sensor so you can have greater
control over the look in post-production.
However, data-heavy uncompressed raw files aren't always easy to deal with on-set, so in addition to
uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression
ratios to save space while retaining post-production flexibility.
Apple ProRes to either CFast 2.0 or UHS-II SD cards
If raw capture is not necessary for your production, the URSA Mini Pro offers ready-to-edit industry standard Apple
ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your
workflow.
The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the "Film" dynamic
range for a flatter image for grading in post-production, or "Video" dynamic range for a finished look right out-of
camera.
ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K, please check the
Blackmagic Design website for updated card compatibility and limitations).
